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Chapter 10: Monitor and Meter Sections 95
Listen Controls
The Listen system has two selectable microphone inputs, both
using the touch-sensitive rotary encoder for level control.
Listen Mic Select Switches
There are two Listen Mic Select switches for the external listen
microphone inputs:
•Mic 1
•Mic 2
Either or both of these inputs can be active at any time. When
one input is active, the encoder controls the level of that input
independently. When both inputs are active, the encoder con-
trols both levels simultaneously, maintaining any relative off-
set between the two.
Level control ranges from a minimum level of –INF to a max-
imum level of +30 dB.
Dim Level Control
The Dim Level control lets you adjust the amount of level re-
duction applied by the Dim switch, located at the bottom of
the Monitor section. Level reduction ranges from –30 dB to
0dB, in 1dB steps.
When the Dim encoder knob is touched, the monitor section
display shows “Dim” and the gain reduction in dB.
Monitor Output Mode Controls
Calibration Mode Switch
The Calibration Mode switch invokes a mode that changes the
output value displayed by the Monitor section display from
gain (expressed in dB) to sound pressure level (expressed in
dB SPL) for each of the control room outputs. This switch
lights when an SPL value is shown for the active output.
To display output levels in dB SPL, you must first calibrate
each output. This SPL calibration requires the use of a pink
noise source (or other reference material) and a sound pressure
level meter to measure the output of individual control room
speakers.
To calibrate Control Room outputs to display SPL:
1 Send the reference material to the Main Control Room Out-
puts, and set the output level in Pro Tools to your studio ref-
erence level (for example, –18 dBFS).
2 Pan the signal to center (so that equal level is sent to all
Main Control Room Output speakers).
3 Set the speaker-to-speaker balance for all speakers in the sys-
tem using Output Trim mode for each channel, using the
sound pressure level meter to measure SPL at the mix position.
See “Individual Output Trim Mode” on page 92.
4 Solo the Center speaker, and adjust the Main Control Room
Output level encoder until the sound pressure level meter
measures the target reference level (for example, 85 dB) at the
mix position.
5 Press and hold the Calibration Mode switch until it flashes.
6 Adjust the Main Control Room Output level encoder until
the target reference level is displayed in the Monitor Section
display.
7 Press the flashing Cal switch.
8 Repeat steps 4–7 for the Alt and Mini outputs.
To toggle the output display between dB and dB SPL:
1 Select the output whose display you want to toggle (Main,
Alt, or Mini).
2 Press the Calibration Mode switch.
When the Calibration Mode switch is lit, output is displayed
in dB SPL.
When the Calibration Mode switch is unlit, output is dis-
played in dB.
Monitor Output Mode controls
Calibration Mode
switch
Dim switch
Mono switch
Mute switch
- D-Command 1
- Contents 5
- D-Command Guidevi 6
- Part I: Introduction 7
- D-Command Features 9
- D-Command System Components 9
- System Expansion Options 9
- Operational Requirements 10
- Connection Requirements 10
- System Requirements 10
- Mechanical Specifications 11
- (141.2 cm) 12
- 29.25 in 12
- (74.3 cm) 12
- Chapter 2: D-Command Overview 13
- D-Command Guide8 14
- Main Unit Back Panel 15
- D-Command Fader Module 16
- D-Command XMON Interface 17
- XMON Back Panel 18
- Part II: Installation 19
- Assembling an Expanded System 21
- Attaching the Units 22
- Moving the Spacer Plate 23
- D-Command Guide18 24
- D-Command Connections 25
- Footswitch Connections 26
- Audio Connections 27
- Example XMON Wiring Diagram 30
- Software Configuration 31
- Setting D-Command Preferences 32
- Encoder Preferences 34
- Display Preferences 34
- Meter Preferences 35
- System Calibration 36
- Part III: Reference 37
- Channel Strips 39
- D-Command Guide34 40
- Channel Strip Mode Controls 41
- Pan Switch 42
- Mic Pre Mode 42
- Bypass/Spill Switch 42
- Sends Switch 43
- Input Monitor Mode Switch 43
- Record Enable Switch 43
- D-Command Guide38 44
- Fader Section 45
- Global Controls Section 46
- Flip Switches 47
- Automation Write Controls 47
- Automation Enable Controls 48
- Switch Information Controls 49
- Global Modifier Controls 49
- Display Mode Switch 50
- Groups Mode” on page 105 52
- Automation Mode Controls 53
- Miscellaneous Controls 54
- Assign Sends Switch 55
- Assign Inserts Switch 55
- Make Inactive Controls 56
- Plug-in Automation Controls 57
- D-Command Guide52 58
- Chapter 7: Plug-in Controls 59
- D-Command Guide54 60
- Targeting Plug-ins 61
- Enabling Plug-in Automation 62
- Dynamics Section 63
- Knee/Hysteresis/Q and 64
- Gain/Hold/Input Control 65
- Threshold/Output Control 65
- Dynamics Display 66
- Lock Switch 66
- Save and Save As Switches 66
- Channel Select Switches 66
- Master Link Switch 67
- D-Command Guide62 68
- Gain Reduction meter 69
- Output meter 69
- Clip Indicator 69
- EQ Section 70
- D-Command Guide66 72
- EQ Channel Select Controls 73
- EQ Edit and Display Controls 75
- D-Command Guide70 76
- Transport Section 77
- Scrub/Shuttle Controls 78
- Master Record Enable Switch 79
- Transport Mode Switches 80
- Audition Switches 80
- Locate Switches 81
- Zoom/Navigate Section 82
- Nudge/Bank Section 82
- Window Management Section 83
- Session Management Section 84
- Soft Keys Section 85
- Management Controls 86
- Edit Controls 87
- Memory/MIDI Controls 88
- Console Preferences 89
- Automation Controls 90
- Actions Switch 91
- Modes Switch 92
- Trac k Size Up 93
- Track Size Down 93
- D-Command Guide88 94
- Monitor Section Controls 95
- Input Source Switches 96
- Sum Switch 96
- Output On/Off Switches 96
- Output Level Control 96
- Studio Controls 97
- Set Up Switch 98
- AFL and PFL Switches 99
- Setting AFL and PFL Levels 99
- Talkback/Listen System 100
- Talkback Controls 100
- Talkback Switch 100
- Listen Controls 101
- Monitor Output Mode Controls 101
- Mono Switch 102
- Dim Switch 102
- Mute Switch 102
- Channel Strip Meter displays 103
- Time Scale display 103
- Talkback Microphone 103
- Output Meter displays 103
- D-Command Guide98 104
- Chapter 11: Operating Modes 105
- Plug-in Outputs 106
- Selecting a Track 107
- Focusing a Track 107
- Focusing a Plug-in 108
- Automation Safe Mode 108
- Bypassing Plug-ins 108
- Custom Fader Modes 110
- Custom Fader Preferences 111
- Custom Fader Controls 111
- Custom Groups Mode 111
- Mix/Edit Groups Mode 112
- Do one of the following: 113
- Press the Escape switch 113
- Expanded Plug-in View 115
- Custom Fader Flip Mode 116
- Custom Fader Map Modes 116
- Working with Automation 117
- Previewing Automation 118
- Joining Automation Values 120
- Appendix A: Utility Mode 121
- Exiting Utility Mode 122
- D-Command System Info Page 122
- D-Command Name Page 122
- D-Command Test Pages 123
- Switch and LED Test Page 124
- Display Test Page 124
- Fader Test Page 125
- Defaults 126
- D-Command Preferences 126
- Display Contrast Page 127
- Sleep Mode Settings Page 127
- D-Command Guide122 128
- Cue Inputs 129
- Cue Outputs 129
- Surround Inputs 130
- Stereo Inputs 130
- Main Speaker Outputs 130
- 15-Pin Connector Pinouts 131
- D-Command Guide126 132
- Index 127 133
- D-Command Guide128 134
- Index 129 135
- D-Command Guide130 136
- Index 131 137
- D-Command Guide132 138
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