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Chapter 5: DigiRack Real-Time TDM and RTAS Plug-Ins 61
Noise Shaping
Noise shaping improves audio performance and
lessens our perception of the noise inherent in
dithering schemes by shifting audible noise
components into a less audible range.
The POW-r Dither plug-in provides three types
of noise shaping, each with its own characteris-
tics. Try each noise shaping type and choose the
one that adds the least amount of coloration to
the audio being processed.
Type 1 Has the flattest frequency spectrum in
the audible range of frequencies, modulating
and accumulating the dither noise just below
the Nyquist frequency. Recommended for less
stereophonically complex material such as solo
instrument recordings.
Type 2 Has a psychoacoustically optimized low
order noise shaping curve. Recommended for
material of greater stereophonic complexity.
Type 3 Has a psychoacoustically optimized high
order noise shaping curve. Recommended for
full-spectrum, wide-stereo field material.
D-Verb
D-Verb is a studio-quality reverb provided in
TDM, RTAS, and AudioSuite formats.
D-Verb Controls
Output Meter
The Output Meter indicates the output level of
the processed signal. With the stereo version of
D-verb, it represents the summed stereo output.
It is important to note that this meter indicates
the output level of the signal—not the input
level. If this meter clips, it is possible that the
signal clipped on input before it reached
D-Verb. Monitor your send or insert signal levels
closely to help prevent this from happening.
The POW-r Dither plug-in is not appropri-
ate for truncation stages that are likely to be
further processed. It is recommended that
POW-r Dither be used only as the last insert
in the signal chain (especially when using
Type 1 Noise Shaping).
Refer to the Pro Tools
Reference Guide for
details on using the Dither plug-in.
The TDM version of the D-Verb plug-in is
not supported at 192 kHz; use the RTAS
version instead.
D-Verb plug-in
- Pro Tools 1
- Copyright 2
- Chapter 1. Introduction 3
- Chapter 2. Installation 3
- Chapter 7. Using Digi ReWire 5
- Introduction 7
- System Requirements 8
- Conventions Used in This 8
- About www.digidesign.com 9
- DigiRack Plug-Ins Guide 10
- Installation 11
- DigiRack Plug-Ins Guide6 12
- Processing Power 13
- Requirements of TDM and 13
- RTAS Plug-Ins 13
- Improving RTAS Plug-In 15
- Performance 15
- Delay in Digital Signal 16
- Processing 16
- Plug-Ins as Inserts 17
- Pre-Fader Operation 18
- Mono, Multi-Mono, and 18
- Multichannel Plug-Ins 18
- Organizing Plug-Ins 19
- Inserting Plug-Ins on Tracks 20
- Ins by Category enabled 21
- Removing a plug-in 21
- Making Plug-Ins Inactive 22
- Clip Indicators 23
- The Plug-In Window 23
- DigiRack Plug-Ins Guide18 24
- Opening Plug-In Windows 25
- Plug-In Window Controls 26
- Bypassing Plug-Ins 26
- Adjusting Plug-In Parameters 27
- Side-Chain Processing 28
- Tempo Sync 29
- Automating Plug-Ins 30
- Plug-In automation dialog 31
- Automation Enable window 31
- Using the Librarian 32
- Choosing a Destination for 33
- Settings 33
- Managing Settings 33
- Changing Settings with the 34
- Plug-In Settings Dialog 35
- Multiple Outputs for 36
- Instrument Plug-Ins 36
- Other Plug-Ins) on Auxiliary 36
- The AudioSuite Menu 37
- Recognizes and removes DC 38
- The AudioSuite Window 38
- Use In Playlist Button 39
- File Mode Selector 39
- Process Mode Selector 40
- Multichannel Processing 41
- Undoing AudioSuite Processing 41
- AudioSuite Processing 42
- Preferences 42
- 2 Click Processing 43
- 4 Click Done 43
- Using AudioSuite Plug-Ins 44
- Using AudioSuite Plug-Ins in 45
- DigiRack Plug-Ins Guide40 46
- EQ III Configurations 47
- EQ III Controls 48
- I/O Controls 49
- EQ Band Controls 50
- Band Gain Control 51
- Frequency Control 51
- Q Control 51
- Frequency Graph Display 52
- 1 Band EQ 52
- 7 Band EQ 53
- High-Pass/Low Notch 54
- Low-Pass/High Notch 54
- Low Shelf/Low Peak 55
- Low-Mid Peak 56
- Mid Peak 56
- High-Mid Peak 57
- High Shelf/High Peak 57
- 2–4 Band EQ 58
- High-Shelf EQ 60
- Low-Shelf EQ 60
- Low-Pass Filter 60
- Automating EQ III Controls 61
- Adjusting EQ 62
- Click Controls 63
- DigiRack Plug-Ins Guide58 64
- Click Options dialog 64
- Dither plug-in 64
- Noise Shaping 65
- POW-r Dither 66
- D-Verb Controls 67
- Clip Indicator 68
- Input Level 68
- Algorithm 68
- Dynamics II 69
- Using Compression Effectively 70
- Compressor Controls 70
- Limiter II 71
- Limiter Controls 72
- Gate Controls 73
- Expander/Gate II 74
- DeEsser plug-in 75
- Using De-essing Effectively 76
- DeEsser Controls 76
- Mod Delay II 77
- DigiRack Plug-Ins Guide72 78
- Dot modifierTriplet modifier 78
- Duration 78
- Signal Generator 79
- Signal Generator Controls 80
- Pitch Controls 81
- DigiRack Plug-Ins Guide76 82
- TimeAdjuster 83
- Delay Compensation 84
- When to Compensate for Delays 85
- Trim Controls 86
- DigiRack AudioSuite Plug-Ins 87
- Limiter II AudioSuite plug-in 89
- Gate II AudioSuite plug-in 89
- DeEsser AudioSuite plug-in 89
- DigiRack Plug-Ins Guide84 90
- Chorus plug-in 90
- Sum Inputs button 90
- Flanger 91
- Multi-Tap Delay 92
- Ping-Pong Delay 93
- Duplicate 94
- Normalize 95
- DigiRack Plug-Ins Guide90 96
- Gain plug-in 96
- Reverse plug-in 96
- Signal Generator plug-in 97
- DC Offset Removal plug-in 97
- Time Compression/ 98
- Expansion 98
- Pitch Shift 99
- DigiRack Plug-Ins Guide94 100
- DigiRack Plug-Ins Guide96 102
- Using Digi ReWire 103
- ReWire Requirements 104
- Using ReWire 105
- Automating ReWire 106
- Tempo and Meter Changes 106
- Looping Playback 106
- DSP Requirements 107
- Monitoring DSP Usage 111
- DigiRack Plug-Ins Guide106 112
- Delay 89 115
- DigiRack Plug-Ins Guide110 116
- Index 111 117
- DigiRack Plug-Ins Guide112 118
- Index 113 119
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