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Chapter 10: Using ReWire with Pro Tools
137
ReWire Requirements
To use the ReWire plug-in, you will need:
• A Digidesign-qualified Pro Tools system
• ReWire-compatible client software (such as
Reason
from Propellerheads Software)
ReWire support is also under development for
other third-party companies. For availability,
check with the manufacturer or visit the Digide-
sign website (www.digidesign.com).
ReWire and Track Count with
Pro Tools HD
With Pro Tools HD, the ReWire RTAS plug-in
can be inserted on any kind of track. Each chan-
nel of audio transmitted through ReWire then
uses the same amount of resources as the audio
track on which it is inserted.
Consequently, you can only use a total combi-
nation of audio tracks and ReWire audio streams
that does not exceed the maximum number of
possible voices for your system. For example, if
you are playing 40 audio tracks in a 48 kHz/24-
bit session on a 128-voice Pro Tools|HD 2 sys-
tem, that will leave 88 channels of audio (88
mono, or 44 stereo) available for use with Re-
Wire. (However, ReWire only supports a maxi-
mum of 64 audio streams per application.)
Using ReWire at higher sample rates will in-
crease the load on the CPU. For example, CPU
load at 96 kHz is double the load at 48 kHz. You
can monitor Pro Tools CPU usage in the System
Usage window, making sure to not overtax your
system.
ReWire and Track Count on
Pro Tools LE Systems
With Pro Tools LE, performance is determined
by several factors, including host CPU speed,
available memory, and buffer settings. Digide-
sign cannot guarantee 64 simultaneous audio
channel outputs with ReWire on all computer
configurations.
For the latest information on recommended
CPUs and system configurations, visit the
Digidesign website (www.digidesign.com).
Client software must support the same
sample rate as the session using ReWire.
For example, third-party client software
that does not support sample rates beyond
48 kHz cannot be used in 96 kHz Pro Tools
sessions.
With Pro Tools HD, the standard Hardware
Buffer size of 512 samples is strongly rec-
ommended for using ReWire in sessions
with sample rates above 48 kHz.
- DigiRack 1
- Plug-ins 1
- Legal Notices 2
- Chapter 1. Introduction 3
- DigiRack Plug-ins Guide 6
- Introduction 7
- System Requirements 8
- Conventions Used in This 9
- About www.digidesign.com 9
- DigiRack Plug-ins Guide4 10
- Installation and Configuration 11
- DigiRack Plug-ins Guide6 12
- Favorite plug-ins 13
- Plug-in categories 13
- Default EQ plug-in 13
- Default Dynamics 13
- DigiRack Plug-ins Guide8 14
- Processing Power 15
- Requirements of TDM and 15
- RTAS Plug-ins 15
- Improving RTAS Plug-in 16
- Performance 16
- RTAS Processors 17
- CPU Usage Limit 17
- RTAS Error Suppression 18
- Delay in Signal Processing 19
- Low-Latency Recording with 20
- Instrument Plug-ins 20
- Plug-ins as Inserts 21
- Inserting Plug-ins on Tracks 22
- Configuring Plug-ins During 23
- Playback 23
- Making Plug-ins Inactive 23
- The Plug-in Window 24
- Opening Plug-in Windows 26
- Multi-Mono Plug-ins 27
- Clip Indicators 28
- Using the Side-Chain Input 28
- Tempo Sync 29
- Automating Plug-ins 30
- Automation 31
- DigiRack Plug-ins Guide26 32
- Automation Enable window 32
- RTAS Plug-ins on Auxiliary 33
- Input and Master Fader Tracks 33
- HTDM Plug-in Conversion to 35
- DigiRack Plug-ins Guide30 36
- The AudioSuite Menu 37
- The AudioSuite Window 38
- Use In Playlist Button 39
- File Mode Selector 39
- Process Mode Selector 40
- Multichannel Processing 41
- Undoing AudioSuite Processing 42
- Processed Audio 42
- Other AudioSuite Controls 42
- AudioSuite Processing 43
- Preferences 43
- Pro Tools Reference Guide 44
- Using AudioSuite Plug-ins 45
- Using AudioSuite Plug-ins in 46
- Adjusting Plug-in Controls 47
- Toggling Switches 48
- EQ III Configurations 49
- EQ III Controls 50
- I/O Controls 52
- EQ Band Controls 53
- Frequency Graph Display 54
- 1 Band EQ 54
- 7 Band EQ 55
- High-Pass/Low Notch 56
- Low-Pass/High Notch 56
- Low Shelf/Low Peak 57
- Low-Mid Peak 58
- Mid Peak 58
- High-Mid Peak 59
- High Shelf/High Peak 59
- 2–4 Band EQ 60
- High-Shelf EQ 62
- Low-Shelf EQ 62
- Low-Pass Filter 62
- Automating EQ III Controls 63
- Click Controls 64
- Creating a Click Track 64
- Dither Controls 65
- POW-r Dither 66
- D-Verb Controls 67
- Clip Indicator 68
- Input Level 68
- Algorithm 68
- Typing Control Values 70
- Keyboard 70
- Expander/Gate Features 71
- Dynamics Graph Display 72
- Side-Chain Section 73
- Compressor/Limiter III 74
- Input/Output Level Meters 75
- Threshold 75
- DigiRack Plug-ins Guide70 76
- Hard knee Soft knee 76
- Expander/Gate III 77
- Expander/Gate III Controls 78
- De-Esser III 80
- Mod Delay II 85
- DigiRack Plug-ins Guide80 86
- Dot modifierTriplet modifier 86
- Duration 86
- SignalTools 87
- SurroundScope 88
- PhaseScope 89
- SignalTools Display Options 90
- SignalTools Level Meters 91
- Meter Types 92
- Meter Peak Hold Options 92
- Reference Mark Options 92
- Pitch Controls 93
- DigiRack Plug-ins Guide88 94
- Relative pitch entry 94
- TimeAdjuster 95
- Delay Compensation 96
- When to Compensate for Delays 97
- Trim Controls 98
- DigiRack AudioSuite Plug-ins 99
- Dynamics III 100
- Dynamics II 100
- Chorus plug-in 101
- Sum Inputs button 101
- Flanger 102
- Multi-Tap Delay 103
- Ping-Pong Delay 104
- Duplicate 105
- Normalize 106
- Signal Generator 107
- DC Offset Removal 108
- Time Compression/ 108
- Expansion 108
- Pitch Shift 110
- Time Shift 111
- DigiRack Plug-ins Guide106 112
- Transient 114
- Down Tasks 116
- AudioSuite Input Modes 117
- AudioSuite Preview 117
- Processing Audio 118
- Elastic Audio Plug-ins 119
- Polyphonic 120
- Rhythmic 121
- Monophonic 122
- Varispeed 122
- Elastic Audio Tracks 123
- Elastic Audio Track Controls 124
- Elastic Audio Analysis 125
- Real-Time and Rendered 126
- Elastic Audio Processing 126
- About Rendered Files 127
- Region Clip Indicator 127
- Elastic Properties 128
- DigiRack Plug-ins Guide124 130
- Elastic Audio Preferences 131
- DigiRack Plug-ins Guide126 132
- Plug-in Settings 133
- Choosing a Destination for 134
- Settings 134
- Managing Settings 135
- Plug-in Settings Dialog 136
- Auditioning Plug-in Settings 137
- DigiRack Plug-ins Guide132 138
- DigiRack Plug-ins Guide134 140
- Using ReWire with Pro Tools 141
- DigiRack Plug-ins Guide136 142
- ReWire Requirements 143
- Using ReWire 144
- MIDI Automation with ReWire 145
- Quitting ReWire Client 147
- Applications 147
- Tempo and Meter Changes 147
- Looping Playback 148
- Automating ReWire Input 148
- Switching 148
- DSP Requirements 149
- Monitoring DSP Usage 152
- Delay 99 155
- DigiRack Plug-ins Guide150 156
- Index 151 157
- DigiRack Plug-ins Guide152 158
- Index 153 159
- DigiRack Plug-ins Guide154 160
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