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Chapter 4: Working with AudioSuite Plug-Ins 31
To process audio with an AudioSuite plug-in:
1 Select regions to process in one or more target
tracks and/or in the Audio Regions List. Shift-
click to select multiple regions. Only regions
that are selected will be processed.
2 Choose the desired AudioSuite plug-in from
the AudioSuite menu.
3 Click the Preview button to begin playback of
the selected material.
4 Adjust the plug-in controls to achieve the ef-
fect that you want. These settings will determine
how the file is processed and what effect the
processing will have on the original regions. Fol-
low these guidelines:
•To process the selected region only in the
track in which it appears, select Playlist
from the Selection Reference pop-up. Alter-
natively, if you want to process the selected
region in the Audio Regions list only,
choose Region List from this pop-up.
• If you want to process and update every oc-
currence of the selected region throughout
your session, enable the Use In Playlist but-
ton (and also select Region List from the Se-
lection Reference pop-up). Alternatively, if
you do not want to update every occur-
rence of the selected region, deselect the
Use In Playlist button.
•To configure the plug-in for destructive
processing, select Overwrite Files from the
File Mode pop-up menu. This will over-
write and permanently modify the original
source audio files.
• Alternatively, to configure the plug-in for
nondestructive processing, select Create
Individual Files from the File Mode pop-up
menu. This will create new audio files that
have been processed with the AudioSuite
Plug-in and leave the original source audio
files untouched.
• If you have selected multiple regions for
processing and want to create a new file
that connects and consolidates all of these
regions together, select Create Continuous
File from the File Mode pop-up menu.
5 Finally, when you are ready, click the Process
button.
The selected audio is processed according to the
settings you have specified. Pro Tools appends
an acronym to the region’s name indicating the
AudioSuite process that has been applied. The
new audio files then appear in your session.
Using AudioSuite Plug-Ins in
Stereo
Some AudioSuite plug-ins can be used in either
mono or stereo. If you plan to use them in ste-
reo, be aware of the following:
◆ To process a mono track and obtain a stereo
result, select the desired track or region plus an
empty track or region. Then set the plug-in to
Stereo mode and select the Sum Inputs button
(if present) to center the dry signal. When you
process the audio, the result will be two tracks or
regions that represent the right and left chan-
nels of the processed audio. You should then
pan these tracks hard right and hard left in your
mix.
◆ If you set a plug-in to Stereo mode, then select
an odd number of Pro Tools tracks for process-
ing (as opposed to an even number), the plug-in
will process the selected tracks in pairs, in stereo.
However, the last odd, unpaired track will be
processed as mono, using the left channel set-
tings of the stereo plug-in. If you want the last
track to be processed in stereo, you must select
an additional track to pair it with—an empty
one if necessary.
- Pro Tools 1
- Copyright 2
- Chapter 1. Introduction 3
- Chapter 2. Installation 3
- Chapter 7. Using Digi ReWire 4
- Introduction 7
- System Requirements 8
- Conventions Used in This 8
- Installation 9
- DigiRack Plug-Ins Guide 10
- Processing Power 11
- Requirements of TDM and 11
- RTAS Plug-Ins 11
- Improving RTAS Plug-In 12
- Performance 12
- Delay in Digital Signal 13
- Processing 13
- Plug-Ins as Inserts 14
- Pre-Fader Operation 15
- Mono, Multi-Mono, and 15
- Multichannel Plug-Ins 15
- Inserting Plug-Ins on Tracks 16
- Making Plug-Ins Inactive 17
- Clip Indicators 18
- The Plug-In Window 18
- LFE Enable 19
- Phase Invert buttons 19
- Opening Plug-In Windows 20
- Multi-Mono Plug-ins 21
- Editing Plug-In Controls 22
- Using a Key Input for Side 22
- Chain Processing 22
- Tempo Sync 23
- Automating Plug-Ins 24
- Automation Enable window 25
- Using the Librarian 26
- Choosing a Destination for 27
- Settings 27
- Managing Settings 27
- Mono Plug-ins 28
- AudioSuite Plug-Ins 29
- Recognizes and removes DC 30
- The AudioSuite Window 30
- Selection Reference 31
- Use In Playlist Button 31
- File Mode Selector 32
- Process Mode Selector 32
- Multichannel Processing 34
- Undoing AudioSuite Processing 34
- Processed Audio 34
- Other AudioSuite Controls 34
- AudioSuite Processing 35
- Preferences 35
- Using AudioSuite Plug-Ins 36
- Using AudioSuite Plug-Ins in 37
- DigiRack Plug-Ins Guide32 38
- 1-Band EQ plug-in 39
- 4-Band EQ plug-in 39
- Adjusting EQ 40
- Click Controls 41
- Noise Shaping 42
- Bit Resolution 43
- POW-r Dither 44
- D-Verb Controls 45
- Diffusion 46
- Pre-Delay 46
- Hi Frequency Cut 46
- Dynamics II 47
- Compressor Controls 48
- Limiter II 49
- DigiRack Plug-Ins Guide44 50
- Gate II plug-in 50
- Expander/Gate II 51
- Expander/Gate Controls 52
- Using De-essing Effectively 53
- Mod Delay and Mod Delay II 54
- Mod Delay Controls 55
- Mod Delay II 56
- Dot modifierTriplet modifier 57
- Duration 57
- Signal Generator 58
- Pitch Controls 59
- DigiRack Plug-Ins Guide54 60
- Relative pitch entry 60
- TimeAdjuster 61
- Delay Compensation 62
- Viewing Channel Delay 63
- When to Compensate for Delays 64
- DigiRack AudioSuite Plug-Ins 65
- DeEsser AudioSuite plug-in 67
- Chorus plug-in 67
- Sum Inputs button 67
- Flanger 68
- Multi-Tap Delay 69
- Ping-Pong Delay 70
- Invert plug-in 71
- Duplicate 72
- Normalize 73
- DC Offset Removal plug-in 75
- DigiRack Plug-Ins Guide70 76
- Pitch Shift 77
- DigiRack Plug-Ins Guide72 78
- Using Digi ReWire 79
- ReWire Requirements 80
- Using ReWire 81
- Tempo and Meter Changes 82
- Looping Playback 82
- Automating ReWire 82
- DigiRack on Pro Tools 83
- DigiRack on Pro Tools 87
- DigiRack on DSP Farm Cards 89
- DigiRack Plug-Ins Guide84 90
- Delay 66 93
- DigiRack Plug-Ins Guide88 94
- Index 89 95
- DigiRack Plug-Ins Guide90 96
- Index 91 97
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