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Chapter 11: Recording 87
Chapter 11: Recording
This chapter explains all the steps required to
record into Pro Tools using Control|24. Instruc-
tions include configuring session parameters,
assigning input and output routing, record-en-
abling tracks, and initiating recording from the
transport.
Starting the Recording
Process
Before you start your first recording pass with
Control|24, make sure you have configured the
sample rate and other Session Setup parameters.
Press STATUS (in the WINDOWS section) to dis-
play the Session Setup window on-screen. Refer
to the Pro Tools Reference Guide for details about
these parameters.
Make sure you have also followed all the other
instructions for recording in the Pro Tools Refer-
ence Guide (Disk Allocation, MIDI Metro-
nome/Click, Countoff, and other preparation
procedures).
Assigning Channel Input
In order to select a source for channel input, you
must be in the default “home” mode or Sends
mode. Input and output assignments cannot be
made while Pro Tools is playing or recording.
To assign an audio channel input from “home” or
Sends mode:
1 Press ASSIGN. The ASSIGN and ESC/CANCEL
switches will both flash.
2 Press INPUT. The INPUT switch LED will light.
The scribble strip for each track will display ex-
isting input assignments.
3 Adjust the channel data encoder knob to
scroll through the list of inputs.
4 When the abbreviated name of the input you
want appears in the scribble strip, press the
flashing switch directly below the data encoder
knob to confirm your decision.
5 Adjust the data encoder knobs until the input
you want on any other tracks is displayed.
6 Press the flashing switches directly below the
data encoder knobs to confirm any other
choices.
7 Press ASSIGN or ESC/CANCEL to leave Input
Assignment mode. The ASSIGN and ESC/CAN-
CEL switches will stop flashing to indicate that
you have left the Assignment mode.
Your input selections will not be saved if
you press ESC/CANCEL without first con-
firming your selections by pressing either the
master ASSIGN switch or the flashing
switch directly below the data encoder knob
on each selected track.
- Control 1
- IMPORTANT 3
- Contents 5
- Chapter 5. Surround Setups 6
- Chapter 11. Recording 8
- Contents ix 9
- Control 10
- Part I: Introduction 11
- Included with Control 13
- System Requirements and 13
- Compatibility 13
- Ethernet Connections 14
- Audio Cables for Control 14
- Monitoring 14
- Digidesign Registration 15
- About This Guide 15
- About www.digidesign.com 16
- Installation and Maintenance 17
- Guidelines 17
- Making Necessary 17
- Connections 17
- Performance 19
- Control 20
- Part II: Analog Connections 21
- Chapter 3: Audio Connections 23
- Control 24
- 25-pin D-Sub Connectors 24
- Additional I/O Connectors 27
- Stereo Monitoring Connections 28
- Connections for Stereo 29
- Stereo and Surround Modes 30
- The Line Submixer Section 30
- Footswitch 30
- Microphone and Line Preamps 31
- Preamp Connections 32
- Using the Mic Preamps 33
- About Signal Levels 34
- Chapter 5: Surround Setups 35
- 5.1 Formats 36
- Using I/O Setup 37
- Reconnecting 37
- 5.1 Monitoring Example 38
- LCRS Monitoring Example 39
- PRO TOOLS 41
- SOURCES IN 41
- Pro Tools Outputs 41
- LRCSLsRs 41
- Control 42
- Part III: Control 43
- Control 45
- Pro Tools Configuration 46
- QuickStart System Test 47
- Setup and Configuration 47
- Troubleshooting 48
- Control 49
- Control 50
- Main Section Overview 51
- Visibility of Plug-In Windows 52
- Navigation and Zoom Controls 53
- The Numeric Keypad 53
- Bank Swapping and Nudging 53
- F1 - Return to Home 54
- Transport Controls 55
- Control and Audition Sections 56
- Audition Controls 56
- Audition Mode Functions 57
- Audition Mode Shortcuts 57
- ESC/CANCEL 58
- Fader Section Overview 59
- Scribble Strips and Rotary 60
- Encoders 60
- Channel Bar and Display 60
- Function Keys 60
- Line Submixer 60
- Meter Section Overview 61
- Control 62
- Overview of Control 63
- Stereo and Surround 64
- Monitoring Modes 64
- Selecting Monitor Modes 65
- Control Room Monitor Level 66
- Controls 66
- Solo and Mute Controls 67
- MONO Switch 67
- Talkback and Listenback 68
- Using Talkback and Listenback 69
- External Talkback Input 69
- Using Talkback 70
- Using Listenback 70
- Fader Banks 71
- Channel Faders 71
- Scribble Strips 72
- Mute and Solo Functions 72
- Solo and Record Safe Modes 73
- The SELECT Switch 74
- Channel Automation Controls 75
- Data Encoder and LED Rings 76
- INPUT and OUTPUT Switches 76
- PAN/SEND Switch 77
- EQ and DYN Switches 77
- INSERTS Switch 78
- REC ARM and MASTER REC 78
- Switches 78
- DEFAULT QuickMode Switch 79
- COPY SETTINGS FROM 79
- CHANNEL and PASTE SETTING 79
- TO CHANNEL 79
- The GROUPS Section 80
- Enabling/Disabling Groups 81
- Editing Groups 81
- Suspending Groups 81
- Deleting Groups 81
- Deleting All Groups 81
- Control 82
- Navigation and Zoom 83
- Scrub/Shuttle Wheel 84
- Using Shuttle Mode 85
- Zoom Mode 87
- Memory Locations and 87
- Creating On-Screen 88
- Selections 88
- SEL ADJ Mode 89
- Link/Unlink Edit and Timeline 90
- Window Navigation Key 90
- Commands 90
- Creating and Editing Regions 91
- Separating Regions 91
- Edit Tool Selection 92
- Cut, Copy, Paste and Delete 92
- Edit Modes: Slip, Shuffle 92
- Spot and Grid Modes 92
- Nudging Regions 93
- Editing Waveforms with the 93
- Pencil Tool 93
- Control 94
- Part IV: Applications 95
- Chapter 11: Recording 97
- Assigning Outputs 98
- Assigning MIDI Outputs 99
- TrackInput Monitoring 99
- Record Modes 100
- MIDI Recording Modes 101
- Arming Pro Tools for 101
- Recording 101
- Record Safe Mode 102
- Loop Record Mode 103
- QuickPunch Recording 104
- TrackPunch Recording 105
- Track Record Status Display 106
- Setting Up Cue Mixes 108
- Footswitch Shortcuts 109
- Control 110
- Chapter 12: Mixing 111
- Instrument Tracks 112
- Master Faders 112
- Assigning Sends in Home Mode 113
- Send Level and Mute Controls 114
- Shortcuts 114
- Assigning Sends To Multiple 115
- Output Destinations 115
- Displaying Send Assignments 115
- Muting Sends 115
- Using Flip Mode with Sends 116
- Send Pan 117
- Send Mute 117
- Pre/Post Toggling 117
- Flip Mode Applications 118
- Using Plug-Ins in Real Time 119
- INSERTS Section 119
- Assigning a Plug-In 120
- Editing Plug-Ins 121
- Plug-In Symbols 122
- EQ and DYN Switches and 123
- The DEFAULT Switch 124
- Targets and Focus 124
- Copying and Pasting Plug-In 125
- Settings 125
- Opening Plug-In Windows 125
- Plug-In Flip Mode 126
- Plug-In Safe Mode 126
- Chapter 14: Automation 127
- Channel AUTO Switches 128
- Suspending Automation 128
- Enabling and Suspending 128
- Automation Types 128
- Recording Volume, Pan, or 129
- Mute Automation 129
- AutoMatch Function 130
- Snap Back Function 130
- Join Function 130
- Automating Sends 131
- Enabling Trim Mode 132
- Punching Out of Automation 132
- WRITE AUTOMATION TO 132
- Automation Write to 133
- Start/All/End 133
- Automating Plug-Ins 134
- Automating Plug-In Flip Mode 135
- Control 136
- Appendix A: Pinout Tables 137
- Line Submixer 1–4 Inputs 138
- Line Submixer 5–8 Inputs 138
- External Source Inputs 138
- Pro Tools Monitor Inputs 138
- XLR and TRS Connectors 139
- Control 140
- Appendix B: Utility Functions 141
- Sys Info Page 142
- Monitor Pages 142
- Test Pages 142
- LED Test Pages 142
- Vegas Mode 143
- Switch Test Mode 143
- Test Modes for LED Colors 143
- All LED Test Mode 144
- Display Test Page 144
- Meter Test Mode 144
- Timecode Display Test Mode 145
- Scribble Strip Test Mode 145
- Fader Test Pages 146
- Cycle Test Mode 147
- Sine Test Mode 147
- Group Test Mode 148
- Touch Test Mode 148
- Footswitch Pages 149
- Sys Reset Page 150
- System Diagnostics 151
- Control 152
- Numerics 153
Verwandte Produkte und Handbücher für Aufnahmegeräte DigiDesign Control 24
(2 Seiten)
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(129 Seiten)
(129 Seiten)
Aufnahmegeräte DigiDesign D-Control Spezifikationen
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