DigiDesign Control 24 Spezifikationen PDF herunterladen (Seite 118)

Control|24 Guide108

You can exit Flip mode at any time and return to

normal operation by pressing the flashing FLIP

switch. This action will return Control|24 to the

state it was in prior to entering Flip. The FLIP

switch LED will extinguish when the mode is

exited.

Muting Sends

To mute a send in the Fader section:

1 Make sure the appropriate channels are

banked into view on Control|24.

2 Select the send to be muted by pressing the

corresponding master SEND switch (A/F–E/J) in

the SENDS section.

3 Press the SEND MUTE switch. Its LED will

light, indicating that you are in Send Mute

mode.

4 Press a channel’s encoder switch on a channel

to mute the selected send on that channel.

Pre/Post Fader Send Status

To set pre/post send status from the Fader

section:

1 Make sure playback is stopped.

2 Make sure Control|24 is not in channel AS-

SIGN mode (the ASSIGN switch LED should be

off).

3 Select a send by pressing a master SEND

switch (A/F–E/J).

4 Press the global PRE/POST switch.

5 Press a channel encoder switch to toggle the

send between pre- and post-fader. The encoder

switch LED will light when the send is pre-fader.

Send Shortcuts

To toggle a send between pre- and post-fader

status for all channels:

1 Follow steps 1 through 4 above.

2 While pressing APPLY TO ALL CHANNELS or

OPT(ALT)/ALL, press any channel’s encoder

switch.

To toggle a send between pre- and post-fader

status for all selected channels:

1 Follow steps 1 through 4 above.

2 While pressing APPLY TO ALL SELECTED

CHANNELS or SHIFT/ADD+OPT(ALT)/ALL,

press any channel’s encoder switch.

Flip Mode Applications

Cue/headphone mixes These are often built us-

ing one or more send busses. In practical use, es-

pecially during tracking, engineers must fre-

quently switch back and forth between their

control room mix and one or more (discrete)

cue or headphone mixes to satisfy requests from

talent during the recording process. By enabling

Flip mode for the cue mix send, levels in the

headphones can be adjusted quickly using the

faders. All Flip mode controls are fully automat-

able for even greater control over submixes.

Submixes

Complex paths can be built using multiple send

busses, Auxiliary Inputs and Master Faders. The

channel send levels, that determine the mix

heard in each submix, can be quickly set from

the faders using Flip mode. Complex automa-

tion is greatly simplified through the use of

Send Flip mode.

Pro Tools preferences for Send Mute and

send level follows mix groups.

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